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LIFE IS A HAUNTED HOUSE.
ART IS A HOUSE THAT TRIES TO BE HAUNTED.
EMILY DICKINSON.
Marie Laveau the
Voodoo Queen
By, Theresa Jodray-Koch
Marie Laveau of all the ghosts of New Orleans must be the most exotic.
New Orleans may be the most haunted city in America if it isnt number one it is very close. Some people are not sure that
Marie Laveau is a ghost, though she was born about two hundred years ago. The reason being people arent sure Marie could actually
die.
Marie was known as the voodoo queen of New Orleans. Voodoo is a collection of religious and
magical practices; many of the original practitioners were from Africa. Voodoo developed among the slaves. It was particularly
strong on the island of Haiti. It is still practiced there today. Voodoo was also practiced by the slaves in New Orleans.
Like Haiti, New Orleans had once been controlled by the French.
Officially it was forbidden for the slaves to practice voodoo but it went on anyways. The white
masters were said to fear the power of voodoo, though they often asked aid of those who were skilled in the practice. The
most skilled of all was the legendary Marie Laveau.
Who she was and where she came from no one seems to know. There are reports that she led voodoo
dances in Congo Square as early as 1830. Many people came to her house on St Anne Street. They wanted magic charms and potions.
She had Charms and potions for everything. Some could cure disease, others could cause them. She had love potions to attract
people and potions to get rid of them. It is said she could control the weather.
There are reliable reports that Marie was still holding voodoo ceremonies in the 1890s that
was fifty years after she first came to notice, she wasnt supposed to have aged a bit or look any older in 1890.
Some think that Marie was killed in a hurricane in the 1890s while others are not sure that
she ever died. There are reports she was seen floating on a log singing voodoo songs. Most historians believe there were two
Maries. The first original Marie died around 1881. The death was reported in New Orleans newspapers. Her place was taken by
another woman who may have been her daughter. This second Marie practiced the family tradition for another ten years or so.
Then she too died, or gave up voodoo and disappeared...
That is what the historians think. Other people say that there was only one Marie Laveau and
that she changed herself into a big black crow. The crow can sometimes be seen flapping around the old St Louis cemetery.
Others say her spirit has been changed into a large dog or a snake.
At the St. Louis cemetery there are two unmarked tombs. Even today people occasionally leave
voodoo offerings on these tombs. Some believe them to be the tomb, or tombs, Marie Laveau. Marie has appeared as a more traditional
ghost as well. Her form has been seen many times in the vicinity of the cemetery. One person said Marie hit him across the
face when he failed to recognize her. The site of Maries old home at 1020 St. Ann Street is also rumored to be haunted by
Marie and her followers they are still performing there rituals from the spirit world...
She was respected and feared by thousands including the Catholic Church. A devout catholic,
going to mass each day, she got permission to hold rituals behind St. Louis Cathedral. Starting out as a hairdresser and later
as a selfless nurse, Marie Laveau became the first commercial voodoo queen. She had fifteen children by her second husband,
one of which (Marie Philomene Laveau Glapion) walked in her footsteps and became almost as powerful as her mother. Marie Laveau's
tomb in St. Louis Cemetery Number I is frequently covered with rosaries, flowers, coins, and various other offerings. Some
visitors also tap three times on the tomb or mark three Xs with a piece of brick or chalk, and then ask Marie for a favor.
Key terms in Voodoo Hounfo:the parish or region of a houngan or mambo's influence.
Govi:a small earthen bottle into which the gros-bon-ange of dead ancestors can rescued. After
a person dies the gros-bon-ange goes to the underwater place. A year and a day after he or she goes their the relatives can
recall the gros-bon-ange. Unfortunately this is a very expensive service, requiring a significant animal sacrifice, often
an ox. Thus it is often considerable time before the service can be done. If too much time passes the ancestor may get a bit
restless and cause trouble--illness etc.
Serviteurs:serious practitioners of Voodoo.
Ason:the magic rattle of the houngan or mambo.
lave tet:(washing of the head) an initiation ceremony held for serviteurs after they have been
mounted for the first time.
Kanzo:the initiation ceremonies for those moving into a very serious level of Voodoo practice.
taking of the ason:the final initiation into being a houngan or mambo. NOTE: Both kanzo and
the taking of the ason are very secret services. However, in Alfred Mtraux's book (VOODOO IN HAITI), through observation and
talking with people who were not too careful about the secrecy of kanzo, he has pieced together a detailed account of the
ceremony. Verve:ceremonial drawings done in flour, of the various loa.
Peristyle:the Voodoo temple. A tiny tiny place.
poto mitan:the center pole in a Voodoo peristyle. It represents the center of the universe
and all dancing revolves around the poto mitan.
Les Invisibles:all spirits.
Les Mysteries: 1--the loa themselves. 2--sacred knowledge. Also called konesans. The crossroads:A
central image in Voodoo. This is the place where the two worlds (earth and spirit world) meet. Virtually all Voodoo acts,
even healing, begin with the acknowledgment of the crossroads.
Photograph of Marie Laveau's tomb below.